Nader Saeivar's film, 'Hijamat', is a poignant exploration of personal and societal walls, both literal and metaphorical. The film's world premiere at the Karlovy Vary International Film Festival marks a bittersweet moment for Saeivar, who produced and directed the film in collaboration with his long-time friend and creative partner, Jafar Panahi. The absence of Panahi at the premiere due to his ongoing struggles with Iranian authorities adds a layer of poignancy to the event.
Saeivar's journey to Berlin and his personal experiences mirror the themes of 'Hijamat'. He reflects on how moving to a new country helped him question and break down his own rigid beliefs, a process he likens to the ancient therapeutic practice of hijamat, or wet cupping, which is designed to draw out small amounts of blood for pain relief and detoxification. This metaphorical cleansing is central to the film's message, suggesting that we must confront the 'dirty' blood in our bodies, both literal and metaphorical, to achieve true change.
The film's protagonist, Murad, played by Kida Khodr Ramadan, struggles to protect his younger brother Kerem when he discovers that he is gay. This theme of family conflict and the impact of long-buried secrets is universal, resonating with audiences regardless of their cultural background. The film's setting in the Turkish community in Berlin serves as a microcosm for the broader societal issues it explores.
Saeivar's choice of Ramadan as the protagonist was strategic. His popularity in Germany and the Arab and Turkish communities in Berlin made him an ideal ambassador for the film. The director's belief in Ramadan's acting skills and his ability to connect with the target audience is evident in the film's impact. Panahi's admiration for Ramadan's work further underscores the strength of their creative partnership.
The film's exploration of rigid beliefs and the fear of questioning them is particularly relevant in the context of Iran. Saeivar reflects on his own experiences growing up in Iran during the Iran-Iraq war, where he believed that fighting for his beliefs was the right thing to do. The revelation that the war was driven by political gains raises profound questions about the nature of belief and the role of propaganda in shaping societal narratives.
'Hijamat' is a powerful commentary on the need for self-reflection and the courage to confront one's beliefs. It invites viewers to consider the walls they have built around themselves, whether literal or metaphorical, and the impact of these walls on their lives and the world around them. The film's universal themes and powerful message make it a must-watch for audiences seeking to explore the complexities of human nature and the potential for change.
